Acting has been a lifelong passion of mine. As a self-proclaimed certified “silly goose”, it has been an outlet for my imagination since very early childhood.

Over the years, I have been a part of over 20 productions/competitions, completed 2 college acting classes (a welcome respite counteracting my sciences curriculum), and dropped-in to NYC improvisation sessions.

I have been part of a troupe that made it to all the way to the global round of an acting competition, whose scoring heavily emphasized creativity and improvisation, where we won third in our category.

The learnings I gained from the acting resume of my early years has painted who I am on - stage and behind-mic - with some of the strongest pigments possible, endowing me with a keen sense of playfulness, adaptability, and a deep respect for storytelling.

I am so full of gratitude for the many ‘villagers’ - castmates, theatre professionals, and endless volunteers - that nurtured my passion for theatre, encouraged my creative spark, instilled a drive for excellence, and facilitated a lifetime of joy through the stage.

Hear me, Here ye

My Demo reel highlights my natural voice alongside a sampling of character voices.

2026

Demo Sample - 11 Characters + Natural Voice. Additional vocal styles available.
Nathalie B.

A Scroll Down Memory Lane

My first professional credit: ACX Audiobook

2026

Taking the first steps toward a career path that always felt closer to dream than reality quickly snowballed into something tangible in early 2026.
After posting my first profiles and sending a few auditions, I quickly received an offer - and dove in headfirst.
I spent the next 2 months assembling studio equipment, reviving and upskilling 10-year-old foundational Audacity knowledge, and learning what it takes to produce an ACX-quality book, both narratively and technically.

It was thrilling. I set up this website as I waited for it to publish.


The Magnet Theatre: Improv Drop-Ins, NYC

2019

Aching to stretch my brain outside of the regimented operational role I played in my corporate career, I began to drop into the [very affordable!] NYC Magnet Theatre improv one-offs. As it became semi-regular part of my routine, I found myself daydreaming ideas for skits and new ideas to play with.


2 Courses

University

By university, I was a little burnt out; almost every childhood fall, spring, and summer held a near-singular focus on the stage. I didn’t have the urge to pursue it again until years later. And I almost didn’t - but thankfully an acting professor granted me permission to join the small Acting III class cohort and I rediscovered my spark, while finally learning about acting in a more academic setting.


Early On: Community Theatre

This production featured two 6-person casts: an A cast and a B cast. And me.

As the swing, I learned 4/6 of the roles - often from observing the other actors rehearse, memorizing their blocking from the side, and subbing for a round or two at the end of rehearsal.

Being entrusted to effectively play a wide range of characters without missing a beat, this is one of the most rewarding credits in my acting history. I even subbed in mid-show for one scene with no warning (due to a combination of luck that I happened to be backstage, and the unfortunate timing of a castmate’s nosebleed).

Roles: Snow White, the King, the Narrator/Magic Mirror, and the Evil Queen

Snow White

Eldest “Little Pig” - a leading role
Mandrake the annoying male magician (bit part)
Red Riding Hood (Full circle moment!)
Joseph & the Technicolor Dreamcoat choir member (And yes, I can still recite every color of the dream coat on the spot. All 29.)
Royal Court Extra

+ 5 Productions


Early On: School Productions

The gruff, no-nonsense Stage Manager (the role, not the backstage crew), a slightly less gruff yet still no-nonsense Stage Manager (catching hints at this point)‍ ‍Carousel’s Starkeeper, a con woman… and more!

Always the primary speaking role, never the soloist singer. Perpetually. For a reason.

Let’s not dwell.

10 Productions

2 Forensics Competitions, Prose Category

First place winner countywide, comedic excerpt from a Dave Barry book
Second place winner countywide, dramatic excerpt from Harry Potter


I submitted a “creativity” application and was selected to be on an ensemble competition team alongside some incredible actresses - with a former Broadway lead as our coach. We made up the ideas and scripts for our performances, learned DIY costuming and set design, and most importantly - as it was the make-or-break section - practiced improv.

Early On: Acting + Improv Competition

Year Three

Our third year, we finally made it to the Global competition - and won 3rd place in our category.

Year Two

In the State/Country Round, we improvised a fart joke so good, the adults were rolling.

Role: Goo Gluestick.
Yes, I was a sentient glue stick.
Yes, I wore an orange wig as a “cap”.
Yes, we absolutely wrote this story ourselves.

Year One


Where it all really started: as a pre-school Little Red Riding Hood, and as the 7-year-old lead narrator-Grandma who was so proud when she didn’t have to refer to her binder of lines strategically placed under her rocking chair.

Baby Steps


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The Woman Who Never Checked Out (Mystery - Apr 2026)